CHITRANGADA BY RABINDRANATH TAGORE PDF

Storyline of Chitrangada as presented in the dance drama Princess Chitrangada, a brilliant and brave character mentioned in the great Indian epic Mahabharata, was a warrior princess of Manipur, who fell in love with Arjuna, whose prowess in archery is well-known. Inspired by her persona, Rabindranath Tagore, the great Indian litterateur, poet and Nobel recipient, embellished the character of Chitrangada with the myriad emotions of a woman. In the year , Tagore gave a new dimension to the story of Chitrangada and set it in a dance drama, which turned out to be one of his most popular dance-drama. The story goes that the brave Arjuna during his period of exile took to the hills for meditation. The territory came under the kingdom of Chitrangada, the warrior princess of Manipur.

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Early life Edit In the early s several illustrations were published in Sadhana magazine, and in Chitrangada, and other works by Rabindranath Tagore. He also illustrated his own books. About the year he took lessons from the vice-principal of the Government School of Art , studying in the traditional European academic manner, learning the full range of techniques, but with a particular interest in watercolour.

At this time he began to come under the influence of Mughal art, making a number of works based on the life of Krishna in a Mughal-influenced style. After meeting E. Havell , Tagore worked with him to revitalise and redefine art teaching at the Calcutta School of art, a project also supported by his brother Gaganendranath, who set up the Indian Society of Oriental Art. Tagore believed in the traditional Indian techniques of painting.

His philosophy rejected the "materialistic" art of the west and came back to Indian traditional art forms. In his later works, Tagore started integrating Chinese and Japanese calligraphic traditions into his style. Later career Edit Tagore believed that Western art was "materialistic" in character, and that India needed to return to its own traditions to recover spiritual values.

Despite its Indocentric nationalism, this view was already commonplace within British art of the time, stemming from the ideas of the Pre-Raphaelites. Partly for this reason many British arts administrators were sympathetic to such ideas, especially as Hindu philosophy was becoming increasingly influential in the West following the spread of the Theosophy movement. Tagore believed that Indian traditions could be adapted to express these new values, and to promote a progressive Indian national culture.

In these paintings he uses the Arabian Nights stories as a trope for looking at colonial Calcutta and picturing its emergent cosmopolitanism. In his later work, he began to incorporate elements of Chinese and Japanese calligraphic traditions into his art, seeking to construct a model for a modern pan-Asian artistic tradition which would merge the common aspects of Eastern spiritual and artistic culture.

Venkatappa and Ranada Ukil. The nineteenth-century place names of Calcutta, however, appear on this map, thus suggesting we read this imaginary city with the colonial city as a frame of reference. He ended up in Calcutta , where he drew and painted with Abanindranath and his students, attempting to absorb elements of Bengal School style into his own practice. Abanindranath became chancellor of Visva Bharati in Banished into trunks inside the dark offices of the society, these paintings have remained in permanent storage ever since.

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It was ruled by a king named Chitravahana. He had a daughter named Chitrangada, whom he named after Madhulika flower. For multiple generations, the dynasty did not have more than one heir. Since Chitravahana did not have any other heir, he trained Chitrangada in warfare and rule. Chitrangada was well-versed in warfare and acquired the skills to protect the people of her land.

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Shakalkis He longs to meet this woman who he feels is extraordinary. For one who has never known a life other than the battle field and defending her kingdom, Chitrangada is transfixed by the attractive Arjuna and despite herself falls in love with him. Chitrangada It is based on the theme of Mahabharata. They agree and later meet her father, the King who accepts the proposal on condition that their child will remain in Manipur only.

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They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king of Manipur and has been raised like a boy as her father had no male heir. She is a great warrior and hero despite being born as a woman, but has never had the chance to truly live as a woman or learn how to use "feminine wiles". Chitra explains that she had met the warrior hero Arjuna after seeing him in the forest while she was hunting for game. Despite knowing that he had pledged several vows including one for twelve years of celibacy , Chitra fell instantly in love with him. The following day she tried to approach him and plead her case, but Arjuna turned her away due to his vows. Chitra begs with the two gods to give her a day of perfect beauty so she can win over Arjuna and have just one night of love with him. Moved by her pleas, the two gods give her not just one day but an entire year to spend with Arjuna.

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